New audio recording features opera singers and water percussionists
Seattle, WA — February 17, 2009 –
One day, composer Byron Au Yong was overcome in the bottled water section of the supermarket. He heard voices from Poland Spring and Fiji cry out. Au Yong, a Seattle-based musician who composes songs of dislocation, realized that water was kidnapped and taken far from home.
In response, he created 64 musical miniatures for voice and percussion to be performed in, about, and around water. While composing, Au Yong was inspired by listening to water and studying the I Ching (Book of Changes). He invited eight librettists from around the world to create contemporary responses to the I Ching, one of the oldest Chinese texts.
Kidnapping Water: Bottled Operas travels through warnings, prayers, fantasies, and whispers in a thematic review for future generations about an element older than man. Human voices and splashing water cry out harder than the silent wisdom of hair turned white.
The initiative was performed in 64 waterways throughout the Pacific Northwest in Summer 2008, as part of 4Culture’s Site-Specific Performance Network and the Bumbershoot Festival of the Arts. A Sound/Light Installation, created with media sculptor Randy Moss, was shown at the Jack Straw New Media Gallery in Fall 2008.
The Kidnapping Water: Bottled Operas CD is available from CD Baby at http://cdbaby.com/cd/byronauyong
Track List
- Hello Helicopter
- Lawn Sprinkler
- Plish
- I Float
- Abundai (Seven Operas)
- Puckered Skin
- I.C.E.
- Dust Away
- Bump And Grind
- Kun (Five Operas)
- I Am Felled
- Taking Time
- After The Stoning
Composer Byron Au Yong
Singers Josie Davis, Emily Greenleaf, Jeremiah Oliver, David Stutz
Percussionists Stuart McLeod, Dean Moore, Benjamin Morrow, James Whetzel
Librettists Eugenie Chan, Bret Fetzer, Aaron Jafferis, Archana Kumar, Carola Luther, Caroline Murphy, Vivian Umino, and Edisa Weeks
Audio Engineer Tom Stiles at Jack
Straw Productions
Designer Wing Fong
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About Kidnapping Water: Bottled Operas
“… exquisite darkness… whimsical lines… captivating experience.” The Stranger
Praise for Au Yong’s previous work
“The music by Byron Au Yong is da bomb.” Northwest Asian Weekly
“Strong, evocative, engaging music.” Fanfare Magazine
“… a beguiling hybrid of cultures.” Seattle PI
Byron Au Yong composes songs of dislocation for Asian, European, and handmade instruments. His works have been featured in concert halls, museums, and site-specific locations that include the Hochschule für Musik und Theater Hamburg, Tokyo Art Museum, and Seattle Aquarium. Au Yong is the recipient of numerous honors that include a Ford Foundation Fellowship and Meet the Composer Grant.
Kidnapping Water: Bottled Operas is thankful for support from Creative Capital’s Multi-Arts Production (MAP) Fund, supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation; 4Culture’s King County Site-Specific Performance Network; Bumbershoot Festival of the Arts; and Jack Straw Productions.